INDUSTRIAL GLASS

The power of matter, with overtones of industrial archaeology. Decontextualised, the typical outdoor glass of industrial windows enters the home and participates in interior design as if created for this very purpose. The tiles are combined to form wall panels, which may also include metals and craquelé textures, with the aid of profiles in the same material. The panels consist of units in different textures and build up a whole with a really special effect.

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  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
  • The power of matter, with overtones of industrial archaeology. Decontextualised, the
typical outdoor glass of industrial windows enters the home and participates in interior
design as if created for this very purpose. The tiles are combined to form wall panels,
which may also include metals and craquelé textures, with the aid of profiles in the
same material. The panels consist of units in different textures and build up a whole
with a really special effect.
 

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